EVERY BUILDING ON THE SUNSET STRIP
Signed first edition, second issue of this quintessentially Los Angeles book, and one of the great photobooks of all time – with the original wrap-around band intact.
Signed first edition, second issue of this quintessentially Los Angeles book, and one of the great photobooks of all time – with the original wrap-around band intact.
Signed first and only edition of Ruscha and Bengston's collaborative book.
First edition of arguably Baldessari's most desirable artist's book, and one of the best of the 1970s.
Signed first edition of Ruscha's last solo photobook to use the minimal 'house style' made famous by TWENTYSIX GASOLINE STATIONS and other early works.
Signed first edition of these black and white photographs of 30 selected records and album covers from Ruscha's collection, photographed by his friend and fellow artist Jerry McMillan.
Signed second edition of Ruscha's second artist's book, an enigmatic series of controlled burns in the human landscape.
Signed second edition of Ruscha's third artist's book, one of 3,000 copies produced following the original printing of 700 in 1965.
Signed first edition of Ruscha and Weiner's photo-novel, starring Shelley Chamberlain, Suzanne Chandler, and Susan Haller in a captivatingly oblique visual drama.
Signed first edition of Ruscha's fourteen spare, black and white photographs of California palms, each captioned with its home address.
Signed second edition of Ruscha's commissioned photographs of Los Angeles lots, taken from helicopter by aerial photographer Art Alanis.
Signed first edition of Ruscha's photo-novel, illustrating a 1967 short story by Mason Williams, "How To Derive The Maximum Enjoyment From Crackers."
Signed second edition of Ruscha's first book using color photographs, a series on water artificially contained and explosively freed.
Inscribed first edition of this founding document of performance and environmental art — the first such work by a major publisher, Abrams.
Signed first printing of this unexpectedly delightful bilingual artists' book, featuring skeletons coming together in love.
Signed catalogue for the 2011 exhibition of the same name.
First edition of this charming pop-up recreation of one of Red Grooms's "sculpto-pictoramas," interactive artistic experiences that "are the ultimate in participatory art" (essay).