THE STORY OF MOTHER GOOSE
[circa 1911]
First edition of this evocatively illustrated MOTHER GOOSE book, a scarce and highly sought version in particularly nice condition.
20th century
FAIRY TALES
[1916]
First edition, American issue, of Clarke's first illustrated book, a stunning Beardsley-esque interpretation of the Danish fairy tales.
![LA REINE DES NEIGES [STORIES FROM HANS ANDERSEN]. Hans Christian Andersen, Edmund Dulac](/pictures/thumb/34950_1.jpg?v=1615927863)
LA REINE DES NEIGES [STORIES FROM HANS ANDERSEN]
(1911)
First French trade edition, printed on vellum paper (same year as English), of Andersen's classic fairy tales illustrated by Dulac – altogether a beautiful book in amazing condition considering the nature of the binding.
STORIES FROM HANS ANDERSEN
(1911)
Signed limited first edition, one of 750 numbered copies signed by Dulac, of these classic fairy tales illustrated by the artist, including his justly acclaimed interpretations of "The Little Mermaid."
FAIRY TALES
[1924]
Signed limited edition, one of only 500 numbered copies signed by one of the greatest Golden-Age illustrators, Kay Nielsen.
FAIRY TALES
(1932)
First Rackham-illustrated edition, American issue, an exceptional survival in the rare original dust jacket and pictorial publisher's box.
FAIRY TALES BY HANS ANDERSEN
(1932)
Signed limited first Rackham edition, one of only 500 copies for sale signed by Rackham – an exceptionally beautiful copy.
STORIES FROM HANS ANDERSEN
[1920]
First edition of this illustrated collection, with 14 of Andersen's fairy tales in a color palette similar to Ann Anderson's work.
HANS ANDERSEN'S FAIRY TALES
1913
Signed limited first edition, one of only 100 copies signed by Robinson, of this collected edition of the celebrated fairy tales by the Danish master of the form.
FAIRY TALES
[circa 1920]
First edition of this stunning Golden Age gift book of Andersen's popular tales, illustrated by the British artist best known for the Josephine books – in the original publishers box.
PETER PAN PORTFOLIO
1914
Lavish limited US edition of the striking portfolio version of Rackham's selected color plates from PETER PAN IN KENSINGTON GARDENS.
PETER PAN IN KENSINGTON GARDENS
1906
Signed limited true first edition, one of only 500 copies signed by Rackham.
PETER PAN IN KENSINGTON GARDENS
[1912]
Rackham's enlarged edition, with a new color plate and 7 new black-and-white illustrations not in the 1906 edition.
JUAN AND JUANITA
(1926)
Scarce Tenggren edition, first published in book form in 1887.
POOR CECCO
1925
Signed limited edition illustrated by Arthur Rackham, one of only 105 numbered copies signed by Bianco.
POOR CECCO
(1925)
The first US edition of this Rackham-illustrated tale of dolls and toys on a mission to rescue one of their own, by the author of THE VELVETEEN RABBIT, in the elusive original dust jacket.
LITTLE BROTHER & LITTLE SISTER
(1917)
First edition of this collection of Grimm tales selected for this Rackham edition, in the rare original publisher's box.
STORIES TO TELL TO CHILDREN
(1912)
29 fairy tales for reading aloud, from the classics to more unusual tales, including "Epaminondas And His Auntie."
THE BUBBLE BALLADS
1914
First printing of this early 20th-century collection of charming poems for children, with lush illustrations by Gertrude Kay.
COBB'S BILL OF FARE
(1913)
First edition of this illustrated book of humor and wit, in the scarce original dust jacket.
THE RIME OF THE ANCIENT MARINER
(1910)
Signed limited first Pogany edition, one of only 525 numbered copies printed on Japan vellum and signed by Pogany.
DOWN-ADOWN-DERRY
(1922)
First edition of this book of fairy poems, in the scarce original dust jacket.
DOWN-ADOWN-DERRY
(1922)
First edition of this book of fairy poems, in the scarce original dust jacket.
DOWN-ADOWN-DERRY
(1922)
Signed limited first edition of this book of fairy poems, one of only 325 numbered copies signed by de la Mare, unusually well preserved in the delicate original binding.
DENSLOW'S TOM THUMB
(1903)
Scarce first printing of Denslow's illustrated edition, published soon after his break with L. Frank Baum over royalties for his artistic contributions to THE WONDERFUL WIZARD OF OZ.
