First printing of this scarce, posthumously issued collection of Mueller's writings from the '60s, '70s,' and '80s – fondly introduced by John Waters as "the ultimate daughter Divine would have loved to have had."
Scarce signed limited chapbook edition of this poem by the Pulitzer Prize-winning Wright, with design and title page drawing by Martha McCollough — additionally inscribed to fellow American poet Stuart Dischell by "Franz & Martha."
Rare complete 13-issue run of Sanders's infamous little magazine of the mimeo revolution — in extraordinary condition.
Scarce first printing of the catalogue for this major neo-Dada exhibition — designed by Jim Culberson, introduced by Harold Rosenberg, and organized by a committee including Donald Barthelme.
Scarce limited edition chapbook by the Pulitzer Prize-winning poet and translator, inscribed to his friend and fellow poet Stuart Dischell.
Signed limited first edition of Ginsberg's black-and-white photographs, with his own captions — one of just 100 numbered, signed, and slipcased copies.
First (and only) edition of this artists' book in anthology form from the highly-regarded residency program that has hosted the likes of Dan Graham, Phillip Glass, John Cage, Richard Serra, Steve Reich, Vito Acconci, Janet Fish, Richard Kostelanetz, Bill T. Jones, Nam June Paik, and numerous others.
Archive of original programs, photographs, posters, and documents from the career of the avant-garde cellist and performance artist, one of just 100 copies assembled and compiled by Moore in conjunction with an exhibition held at the Bound & Unbound gallery in 2000.
Signed limited edition handmade pop-up book by the painter, street artist, and creator of Grosse Victime magazine, one of just five copies produced.
Signed limited handbound edition of this illustrated book by frequent New York School collaborators Rivers and Koch, the product of friendly poetic competition between Koch and Frank O'Hara.
Rare catalogue of the third Havana Biennial, a rich and energetic exhibition with a global reach, curated by the staff of the Centro Wifredo Lam under Cuba's Ministry of Culture, opening a week before the fall of the Berlin Wall.
Scarce signed first edition of this book of short prose writings — with a lovely design by Gorey and his charming very small signature, along with an inscription by Elliott.
A comprehensive collection of publications and other documents from the Nova Scotia College of Art and Design (NSCAD), an unexpected yet tremendously important center of conceptual art and postminimalism throughout the 1970s.
Extensive collection of printed material from Virginia Dwan's legendary gallery, central site of Minimalism, Conceptualism, and Land Art movements of the 1960s.
Rare signed copy of Wojnarowicz's first book, with a brief but revealing autograph note from him laid in.
Scarce first printing of these seven poems by the East Village poet, novelist, and antiquarian — her first book of poetry, from d.a. levy's Renegade Press.
Complete six-volume set of Allen's SKINHEAD series — a "pulp fiction world of crime, sex and aggro."
Uncommon signed first edition of this poetry collection, Gilchrist's first published book.
Lettered copy of the doubly signed limited first edition of Elliott's debut, with a cover illustration of a burning cruciform box by Edward Gorey.
Scarce hardcover issue of this collaboration by Berrigan and Padgett, illustrated by Joe Brainard, mostly composed between 1962 and '65.
Rare true first edition of this compilation of lyrics of Sander's rock band, printed by his notorious press, and "sold at performances and in the Peace Eye book catalogs."
First printing of the Artists' Workshop Press edition of 1966, from the original Fug Press edition of 1965.
Anthology edited by Sanders from Sander's notorious press.
![Item #50404 THE FUCK YOU / QUOTE OF THE WEEK [Complete Set of Three]. Ed Sanders, Harry...](https://typepunchmatrix.cdn.bibliopolis.com/pictures/50404_1.jpg?width=320&height=427&fit=bounds&auto=webp&v=1726187169)
Complete set of Ed Sanders's short-lived "Quote of the Week" from his notorious press, featuring three brief selections from Harry Fainlight, John Ashbery, and Kenneth Koch.
Scarce catalogue of the 1969 exhibition of Arte Povera and Conceptual Art, less known but as innovative and groundbreaking as the same year's more-mythologized "When Attitudes Become Form," and similarly an expression of its own curator's personality and vision.
