A GREEN BOUGH
Signed limited first edition of the last collection of poems published within Faulkner's lifetime.
Signed limited first edition of the last collection of poems published within Faulkner's lifetime.
With an editorial essay on the rising importance of James Baldwin and Sylvia Plath, as well as original poetry by Anne Sexton, Karen Gershon, Ted Hughes, and more.
Signed limited first edition of Wilbur's 21 illustrated "clerihews for the telephone," useful scripts in verse for recording on the outgoing-message cassette tapes of the answering machines of yore, written for publisher Stuart Wright.
First (and only) printing of this pamphlet, the first of four issued by Equinox for Christmas of 1932, a revised version of Faulkner's poem "My Epitaph" included in the following year's A GREEN BOUGH.
First edition of these collected responses to the award of the 1948 Bollingen Prize to Ezra Pound's PISAN CANTOS, the several objections, and the objections to the objections.
First trade edition of the last collection of poems published within Faulkner's lifetime, in the Lynd Ward dust jacket in uncommonly good condition.
Signed limited first edition of these poems by the Pulitzer Prize winner, illustrated by Engelland, a co-founder of the Deerfield Press.
Uncommon limited edition of these collected poems on a shared theme — by two Elizabethan conspirators and two 20th century war criminals, all four condemned to death.
First edition of Agee's debut collection, published as the thirty-third volume of the Yale Series of Younger Poets only two years after the author's graduation from Harvard.
First edition of this collection of short stories, poems, and critical essays from the first five years of ACCENT magazine, with work by Richard Wright, Dylan Thomas, Wallace Stevens, Katherine Anne Porter, Marguerite Young, John Berryman, and many others.
First edition of this important landmark of lesbian literature.
Original catalogue for an exhibition to mark the bicentenary of John Keats, held by the Wordsworth Trust.
Beautiful Edwardian-era set of the Ancient Greek epic, bound in rich full goatskin by Roger de Coverly and Sons.
First printing of this anthology of works by Black Americans, from the 18th-century poetry of Phillis Wheatley to the 20th-century essays of Alain Locke and much in between.
First edition of Gittings's commentary on the five odes of Keats published in 1820, with facsimile reproductions and transcriptions of the earliest known manuscripts.
Landmark second edition of the epic American poetry collection, the first to include among the most famous blurbs in literature — Emerson's complimentary quote stamped, without permission, on the book's spine.
Lovely three-volume pocket edition of Dryden's translation of the AENEID, ECOLOGUES, and GEORGICS, printed by the famed Scottish Enlightenment printers, the Foulis brothers.
Beautifully bound first edition of Zotti's annotated DIVINE COMEDY, primarily designed for British women learning Italian and dedicated by the editor to three aristocratic women patrons.
First printing of this early James Joyce poem about his infatuation with a student, composed around 1914 but long unpublished.
Lovely Victorian edition in pictorial cloth of this popular comedic poem, executed in reverse order — caricaturist Thomas Rowlandson drew the illustrations before William Combe wrote the text.
First edition in book form of Edgar Allan Poe's "The Raven," the single most famous American poem of the nineteenth century.
Signed first printing of these collected columns on selected poems, by the former U.S. poet laureate and winner of both the Pulitzer Prize and the National Book Award.
First edition of this roman à clef by the distinguished American poet, composed between 1950 and 1969.
Farewell issue of the celebrated Modernist journal.
'Exiles' Number' of the celebrated Modernist journal, featuring one of the best known graphic cover designs of the lit mag's run.