Signed copy of the first and only printing of this Ruscha photobook, his second in color.

Unique miniature erotic artist's book, hand-painted and collaged onto a France Poste mailing label booklet.

First edition of Ruscha's eleventh book, featuring one bespoke baby (his own) and many mass-produced commercial cakes.

Signed first edition of Ruscha and Weiner's photo-novel, starring Shelley Chamberlain, Suzanne Chandler, and Susan Haller in a captivatingly oblique visual drama.

Signed second edition of Ruscha's second artist's book, an enigmatic series of controlled burns in the human landscape.

Scarce catalogue published to accompany an exhibition of prints, drawings, and books, co-designed by Ruscha, with business cards laid in from both the artist and exhibition curator Foster.

Signed first edition, second issue of this quintessentially Los Angeles book, and one of the great photobooks of all time – with the original wrap-around band intact.

Signed first edition of Ruscha's photo-novel, illustrating a 1967 short story by Mason Williams, "How To Derive The Maximum Enjoyment From Crackers."

Signed first edition of Ruscha's fourteen spare, black and white photographs of California palms, each captioned with its home address.

Signed second edition of Ruscha's third artist's book, one of 3,000 copies produced following the original printing of 700 in 1965.

First separate edition of Brecht's essay on automatism and other artistic processes incorporating chance, reprinted from its original appearance in Collage magazine as a Great Bear Pamphlet by Something Else Press.

First edition of this foundational investigation into the modern score as visual (and not just musical) art, from Dick Higgins's noted press.

Rare first edition of the confrontational and abrasive collaboration between two founding members of the Situationist International.