BABYCAKES WITH WEIGHTS
First edition of Ruscha's eleventh book, featuring one bespoke baby (his own) and many mass-produced commercial cakes.
First edition of Ruscha's eleventh book, featuring one bespoke baby (his own) and many mass-produced commercial cakes.
Signed first edition of Ruscha's last solo photobook to use the minimal 'house style' made famous by TWENTYSIX GASOLINE STATIONS and other early works.
Signed first edition of these black and white photographs of 30 selected records and album covers from Ruscha's collection, photographed by his friend and fellow artist Jerry McMillan.
Signed second edition of Ruscha's second artist's book, an enigmatic series of controlled burns in the human landscape.
Signed second edition of Ruscha's third artist's book, one of 3,000 copies produced following the original printing of 700 in 1965.
Signed first edition of Ruscha and Weiner's photo-novel, starring Shelley Chamberlain, Suzanne Chandler, and Susan Haller in a captivatingly oblique visual drama.
Signed first edition of Ruscha's fourteen spare, black and white photographs of California palms, each captioned with its home address.
Signed second edition of Ruscha's commissioned photographs of Los Angeles lots, taken from helicopter by aerial photographer Art Alanis.
Signed first edition of Ruscha's photo-novel, illustrating a 1967 short story by Mason Williams, "How To Derive The Maximum Enjoyment From Crackers."
Signed second edition of Ruscha's first book using color photographs, a series on water artificially contained and explosively freed.
Uncommon conceptual artist's book in uncommonly good condition.
Narrative photobook of the story of boxing great Ruben "El Puas" Olivares.
Scarce and haunting artist's book from this Northern Ireland artist depicting various eerily-lit stands of trees.
First edition of Cal Kowal's evocative photographic essay on Joe "Mr. Spoons" Jones, a Cincinnati spoon player.
Collection of voyeuristic color and black-and white-photographs shot through car windows, signed by the artist.
Humorous artist's book documenting Joshua Alper's alteration of a billboard.
A photographic and autobiographical artist's book tracing the passage of the spring of 1976, with reflections on the modern speed of time.
Photographs taken in Greenwich Park in London and in the Bois de Cambre in Brussels by the Belgian architect and photographer.