THE DOCUMENTARY RECORD OF AN INFRINGEMENT: Environmental Art of a Pseudovandalist Nature
Humorous artist's book documenting Joshua Alper's alteration of a billboard.
Humorous artist's book documenting Joshua Alper's alteration of a billboard.
Uncommon conceptual artist's book in uncommonly good condition.
First edition. Self-portraits of various angles of John Coplans' fingers and hands, seen intimately close.
Evocative photographic artist's book assuming the shape of an accordion, but revealing an expanse of green grass.
Narrative photobook of the story of boxing great Ruben "El Puas" Olivares.
First edition of Cal Kowal's evocative photographic essay on Joe "Mr. Spoons" Jones, a Cincinnati spoon player.
Photographic artist's book, containing photographs of the first pages of letters from the dictionary next to found photograph-like images of numbers.
First edition of Ruscha's eleventh book, featuring one bespoke baby (his own) and many mass-produced commercial cakes.
Scarce catalogue published to accompany an exhibition of prints, drawings, and books, co-designed by Ruscha, with business cards laid in from both the artist and exhibition curator Foster.
Signed first edition, second issue of this quintessentially Los Angeles book, and one of the great photobooks of all time – with the original wrap-around band intact.
Signed first edition of Ruscha's fourteen spare, black and white photographs of California palms, each captioned with its home address.
Signed second edition of Ruscha's first book using color photographs, a series on water artificially contained and explosively freed.
Signed first edition of Ruscha's last solo photobook to use the minimal 'house style' made famous by TWENTYSIX GASOLINE STATIONS and other early works.
Signed second edition of Ruscha's commissioned photographs of Los Angeles lots, taken from helicopter by aerial photographer Art Alanis.
Signed second edition of Ruscha's second artist's book, an enigmatic series of controlled burns in the human landscape.
Signed first and only edition of Ruscha and Bengston's collaborative book.
Signed first edition of these black and white photographs of 30 selected records and album covers from Ruscha's collection, photographed by his friend and fellow artist Jerry McMillan.
Signed first edition of Ruscha and Weiner's photo-novel, starring Shelley Chamberlain, Suzanne Chandler, and Susan Haller in a captivatingly oblique visual drama.
Signed first edition of Ruscha's photo-novel, illustrating a 1967 short story by Mason Williams, "How To Derive The Maximum Enjoyment From Crackers."
Elusive and allusive narrative photographic artist's book, one of the defining works of the 1970s in the genre.