First edition of arguably Baldessari's most desirable artist's book, and one of the best of the 1970s.

Scarce signed handmade artist's book on the subject of itself, produced in a limited edition of just 20 copies.

First edition of Ruscha's eleventh book, featuring one bespoke baby (his own) and many mass-produced commercial cakes.

Signed first edition of Ruscha and Weiner's photo-novel, starring Shelley Chamberlain, Suzanne Chandler, and Susan Haller in a captivatingly oblique visual drama.

Signed second edition of Ruscha's second artist's book, an enigmatic series of controlled burns in the human landscape.

Scarce catalogue published to accompany an exhibition of prints, drawings, and books, co-designed by Ruscha, with business cards laid in from both the artist and exhibition curator Foster.

Signed first edition, second issue of this quintessentially Los Angeles book, and one of the great photobooks of all time – with the original wrap-around band intact.

Signed first edition of Ruscha's photo-novel, illustrating a 1967 short story by Mason Williams, "How To Derive The Maximum Enjoyment From Crackers."

Signed first edition of Ruscha's fourteen spare, black and white photographs of California palms, each captioned with its home address.

Signed second edition of Ruscha's third artist's book, one of 3,000 copies produced following the original printing of 700 in 1965.

First separate edition of Brecht's essay on automatism and other artistic processes incorporating chance, reprinted from its original appearance in Collage magazine as a Great Bear Pamphlet by Something Else Press.

Rare first edition of the confrontational and abrasive collaboration between two founding members of the Situationist International.

First edition of this charming pop-up recreation of one of Red Grooms's "sculpto-pictoramas," interactive artistic experiences that "are the ultimate in participatory art" (essay).