A SENTENCE OF THIRTEEN PARTS (WITH TWELVE ALTERNATE VERBS) ENDINGS IN FABLE
First edition of arguably Baldessari's most desirable artist's book, and one of the best of the 1970s.
First edition of arguably Baldessari's most desirable artist's book, and one of the best of the 1970s.
Signed copy of the first and only printing of this Ruscha photobook, his second in color.
Scarce signed handmade artist's book on the subject of itself, produced in a limited edition of just 20 copies.
Signed first and only edition of Ruscha and Bengston's collaborative book.
First edition of Ruscha's eleventh book, featuring one bespoke baby (his own) and many mass-produced commercial cakes.
Signed first edition of these black and white photographs of 30 selected records and album covers from Ruscha's collection, photographed by his friend and fellow artist Jerry McMillan.
Signed first edition of Ruscha and Weiner's photo-novel, starring Shelley Chamberlain, Suzanne Chandler, and Susan Haller in a captivatingly oblique visual drama.
Signed first edition of Ruscha's last solo photobook to use the minimal 'house style' made famous by TWENTYSIX GASOLINE STATIONS and other early works.
Signed second edition of Ruscha's second artist's book, an enigmatic series of controlled burns in the human landscape.
Scarce and cryptic self-published newspaper ("a labyrinth without a center") by the French-born, California-based conceptual and performance artist.
Scarce catalogue published to accompany an exhibition of prints, drawings, and books, co-designed by Ruscha, with business cards laid in from both the artist and exhibition curator Foster.
Scarce exhibition catalogue of Ruscha's lithographs, silkscreens, and books.
Signed first edition, second issue of this quintessentially Los Angeles book, and one of the great photobooks of all time – with the original wrap-around band intact.
Signed second edition of Ruscha's commissioned photographs of Los Angeles lots, taken from helicopter by aerial photographer Art Alanis.
Signed first edition of Ruscha's photo-novel, illustrating a 1967 short story by Mason Williams, "How To Derive The Maximum Enjoyment From Crackers."
Second edition of Ruscha's first book using color photographs, a series on water artificially contained and explosively freed.
Signed first edition of Ruscha's fourteen spare, black and white photographs of California palms, each captioned with its home address.
Signed second edition of Ruscha's first book using color photographs, a series on water artificially contained and explosively freed.
Signed second edition of Ruscha's third artist's book, one of 3,000 copies produced following the original printing of 700 in 1965.
Elusive and allusive narrative photographic artist's book, one of the defining works of the 1970s in the genre.
First separate edition of Brecht's essay on automatism and other artistic processes incorporating chance, reprinted from its original appearance in Collage magazine as a Great Bear Pamphlet by Something Else Press.
Uncommon limited hardcover edition of Frank's bibliography of Dick Higgin's artists' book press.
Rare first edition of the confrontational and abrasive collaboration between two founding members of the Situationist International.
Scarce first edition, privately printed by Cornell in an edition of about 100 copies and given away to his friends as presents, augmented with a collaged element to the last page.
First edition of this charming pop-up recreation of one of Red Grooms's "sculpto-pictoramas," interactive artistic experiences that "are the ultimate in participatory art" (essay).