SINKING BEAR
Facsimile reproduction of Sinking Bear, which arose out of the conversation of a number of artists then associated with both Judson Church and the legendary poetry newsletter Floating Bear, edited by Leroi Jones and Diane Di Prima.
Facsimile reproduction of Sinking Bear, which arose out of the conversation of a number of artists then associated with both Judson Church and the legendary poetry newsletter Floating Bear, edited by Leroi Jones and Diane Di Prima.
Rare Neoist mail art and zine assemblage.
Rare proto-zine of pseudoscience, all five issues of this perpetual motion journal which issued its first four numbers (as well as the PERPETUAL MOTION HANDBOOK) under the editorship of Barrows.
Pamphlet prepared for the Pacific Studies Center by Alan Bernstein, Bob DeGrasse, Rachel Grossman, Chris Paine, and Lenny Siegel that lucidly presented and historically grounded study of the problems caused by "business being left alone to make decisions which have socially harmful consequences": housing shortages; the discrepancy in standard of living between tech company engineers and scientists and everyone else; the unequal distribution of taxes and services in the region. Various policy proposals attempt to offer connected solutions to problems with a common origin in the growth and dominance of high-tech industry: on average, as sensible and relevant now as they were in 1977, and as likely to be ignored
Charming collection of several of the first publications by the Rocky Horror Fan Club, a group that pioneered intense devotion to the film whose fanbase became the first film "cult."
Scarce second number of this important but under-appreciated zine of punk aesthetics.
Marcel Du Champ issue, honoring his 100th birthday, of this long-running art zine helmed by Frank Gaard, a teacher at the Minneapolis College of Art and Design.
Single issue of the long-running art zine helmed by Frank Gaard, a teacher at the Minneapolis College of Art and Design.
Single issue of the long-running art zine helmed by Frank Gaard, a teacher at the Minneapolis College of Art and Design.
Clubzine of the Birmingham Science Fiction Club, inscribed by editor Jim Gilpatrick to science fiction writer Grant Carrington.
First three (of four) issues of this well-produced graffiti zine (that began for mischevious reasons with #8).
Zine edited by Steve Hughes collecting stories gathered interviewing people in Detroit and Hamtramck bars (plus fan submissions from throughout the country) printed anonymously. The scatalogical issue.
From the publisher: "Destroy All Monsters Magazine was edited by Cary Loren and contained artwork, photographs, and flyers from bandmates Mike Kelley, Cary Loren, Niagara, and Jim Shaw.
Before it was a bestseller at a major publishing house, Monsen and John's sad dinosaur was a self-published zine "which we wrote, drew and stapled at Kinko's."
Early issue (January 18th, 1980) under the tenure of Naylor and Carroll of this hugely influential Manchester-centric post-punk zine.
"All British Number," featuring work by Bill Butler, Tom McGrath, Dave Cunliffe, Lionel Kearns, Dick Wilcox, Pete Berry, Gary Lundberg, and Bob Knapp. "Edited, drawn, layed out, cut-up & interred" by Nuttall.
Includes articles on Ultravox, Captain Beefheart, Gary Numan (cover story), XTC, and The (English) Beat.
Early Chicago punk and new wave fanzine, whose 23-issue run lasted from 1979 to 1983.
New Wave zine (one-shot?) from editor Ron Spector, founder of White Noise Records.
Featuring Sex Pistols / Johnny Rotten (cover), plus pieces on Blondie, Dictators, Iggy Pop, as well as reviews and like.
Fourth of eight issues.