Facsimile reproduction of Sinking Bear, which arose out of the conversation of a number of artists then associated with both Judson Church and the legendary poetry newsletter Floating Bear, edited by Leroi Jones and Diane Di Prima.

Rare proto-zine of pseudoscience, all five issues of this perpetual motion journal which issued its first four numbers (as well as the PERPETUAL MOTION HANDBOOK) under the editorship of Barrows.

Pamphlet prepared for the Pacific Studies Center by Alan Bernstein, Bob DeGrasse, Rachel Grossman, Chris Paine, and Lenny Siegel that lucidly presented and historically grounded study of the problems caused by "business being left alone to make decisions which have socially harmful consequences": housing shortages; the discrepancy in standard of living between tech company engineers and scientists and everyone else; the unequal distribution of taxes and services in the region. Various policy proposals attempt to offer connected solutions to problems with a common origin in the growth and dominance of high-tech industry: on average, as sensible and relevant now as they were in 1977, and as likely to be ignored

Scarce second issue of this important but under-appreciated zine of punk aesthetics.

Single issue of the long-running art zine helmed by Frank Gaard, a teacher at the Minneapolis College of Art and Design.

Clubzine of the Birmingham Science Fiction Club, inscribed by editor Jim Gilpatrick to science fiction writer Grant Carrington.

The first twelve (and scarcest) issues of the largest music zine to come out of the Pacific Northwest during the heyday of the grunge and Riot Grrl scenes.

Zine edited by Steve Hughes collecting stories gathered interviewing people in Detroit and Hamtramck bars (plus fan submissions from throughout the country) printed anonymously. The scatalogical issue.

Before it was a bestseller at a major publishing house, Monsen and John's sad dinosaur was a self-published zine "which we wrote, drew and stapled at Kinko's."

"All British Number," featuring work by Bill Butler, Tom McGrath, Dave Cunliffe, Lionel Kearns, Dick Wilcox, Pete Berry, Gary Lundberg, and Bob Knapp. "Edited, drawn, layed out, cut-up & interred" by Nuttall.

Includes articles on Ultravox, Captain Beefheart, Gary Numan (cover story), XTC, and The (English) Beat.

New Wave zine (one-shot?) from editor Ron Spector, founder of White Noise Records.

MOJO was one of the earliest (and most important) music zines.