First three issues of the E.G. Records Newsletter, founded to promote the label's artists following the January '79 opening of its U.S. office.

Facsimile reproduction of Sinking Bear, which arose out of the conversation of a number of artists then associated with both Judson Church and the legendary poetry newsletter Floating Bear, edited by Leroi Jones and Diane Di Prima.

Rare proto-zine of pseudoscience, all five issues of this perpetual motion journal which issued its first four numbers (as well as the PERPETUAL MOTION HANDBOOK) under the editorship of Barrows.

An independent publication by two ex-military brothers, Thomas and Robert Dunker, whose sexually explicit and cynical work shares something with Raymond Pettibon and similar developments in underground comics.

Single issue of the long-running art zine helmed by Frank Gaard, a teacher at the Minneapolis College of Art and Design.

First three (of four) issues of this well-produced graffiti zine (that began for mischevious reasons with #8).

First issue of this small but influential zine dedicated to electronic and experimental music.

From the publisher: "Destroy All Monsters Magazine was edited by Cary Loren and contained artwork, photographs, and flyers from bandmates Mike Kelley, Cary Loren, Niagara, and Jim Shaw.

"All British Number," featuring work by Bill Butler, Tom McGrath, Dave Cunliffe, Lionel Kearns, Dick Wilcox, Pete Berry, Gary Lundberg, and Bob Knapp. "Edited, drawn, layed out, cut-up & interred" by Nuttall.

Four issues of this bi-weekly tabloid from the peak of derby's mid-70s revival (which remained its last until the current boom).

New Wave zine (one-shot?) from editor Ron Spector, founder of White Noise Records.

Fourth of eight issues.