VILE INTERNATIONAL VOL. 3 NO. 2
An irreverent and sometimes explicit and disturbing Dada take on FILE Magazine, which was itself a parody of LIFE Magazine.
An irreverent and sometimes explicit and disturbing Dada take on FILE Magazine, which was itself a parody of LIFE Magazine.
Lovely, varied work of concrete poetry and visual art comprising pages of various sizes, colors, and printing methods (mimeo, silkscreen) bound in, including a two-page original glued collage and handwritten poem by Bissett.
Produced in conjunction with The Bob Cobbing and Writers Forum Retrospective Exhibition at the Sunderland Arts Centre held from Nov.
Scarce and cryptic self-published newspaper ("a labyrinth without a center") by the French-born, California-based conceptual and performance artist.
Twenty-third broadside in the Futura series, a concrete poem by Dutch artist and poet de vries with his brief explanatory statement and biography.
Genet's play, first published in 1958 and reissued with 33 black and white photographs by Ernest Scheidegger, of the 1959 Paris production. In French.
Program booklet for Havel's first play, performed for the first time at the opening of the 1963-64 season at the Balustrade Theater (Divadlo na zabradli).
Rare first catalogue from Higgins's Something Else Press, with a signed note from the publisher of Fluxus artists and concrete poetry: "the sort of avant-garde work which offers a real alternative to the conventional art forms."
Anthology of concrete poetry by Gerry Osamu Shikatani, Kent L.
Catalogue for an exhibition curated by Richard Kostelanetz featuring language-based visual art.
A artist's book compendium of concrete and visual poetry and other works.
Published as grOnk Magazine Series Six, Nos.
Scarce and beautifully-produced collection of concrete and visual poetry.
A remarkable collection of unselfconsciously prescient outsider verse.
First issue of this visual and concrete poetry magazine.
Promotional program for the two actors, a married couple, "appearing under the direction of the Mantell-Hamper Company, Inc."
Near-complete original typescript for Aram Saroyan's self-titled collection of minimal and concrete verse.
Minimalist and concrete verse from Saroyan's own press in the mode of the poet's classic COFFEE COFFEE. With printed dedication to Clark Coolidge.
Handsome edition of poems by Schlesinger, printed with concrete-poetry-inspired design throughout with layered text serving as visual art. Printed letterpress from photopolymer plates on various paper stock.
Stark concrete poetry collages made in part from xeroxes of the Baltimore lit mag E-POD – edited by Kirby Malone and Marshall Reese, though neither of them credited here – by Lamar Layfield and Charles Brohawn (the latter a member of the band The Tinklers).