First three issues of the E.G. Records Newsletter, founded to promote the label's artists following the January '79 opening of its U.S. office.

Archive of original photographs from the London Features International press agency, documenting David Bowie's career over an approximately 30-year span and focusing heavily on the later years of the 1970s.

In Byrne's words, "neither an autobiography nor a series of think pieces--but a little bit of both."

Advertisement for the Minimoog Synthesizer, a landmark instrument in 20th century pop music.

VHS recording of a live performance by New Order at the Ukranian National Home, designed by Peter Saville Associates.

Original handbill/ticket order form (in typical period Bill Graham style) with informational flyer for attendees of the Goose Lake International Music Festival, a three-day event held in Leoni Township, outside Jackson, Michigan from August 7-9, 1970, with an estimated 200,000 attendees.

Collection of early setlists from seminal band Hüsker Dü for shows in their hometown of Minneapolis, all predating the release of their debut album LAND SPEED RECORD, and all but one predating its recording.

First issue of this small but influential zine dedicated to electronic and experimental music.

From the publisher: "Destroy All Monsters Magazine was edited by Cary Loren and contained artwork, photographs, and flyers from bandmates Mike Kelley, Cary Loren, Niagara, and Jim Shaw.

Founded by Colin Faver and Kevin Millins, Final Solution was arguably the most important promoter in the UK during the postpunk years.

"SUPPORT SUBURBAN ROCK AND ROLL!" The Dolls were presumably on tour to promote their recently released second album TOO MUCH TOO SOON, while Kiss's self-titled debut album had been released only several months prior. An early record of KISS's career and their meteoric rise to fame, alongside the Dolls who were one of their major precursors in glam rock.

A first-year membership card for The Roxy in London's Covent Garden, epicenter of the UK's burgeoning punk movement.

Poster promoting a 1979 show at the legendary Ann Arbor rock club Second Chance, where Destroy All Monsters' performance was supported by the local band Cult Heroes and the short-lived Twisters.