Rare original poster by the German electronic Krautrock project started by Dieter Moebius, Conrad Schnitzler, and Hans-Joachim Roedelius.

Promotional folder for Bryan Ferry's 1978 album, with a photo of the artist in leather coat and a press release praising "the most complete Ferry work to date."

Advertisement for the Minimoog Synthesizer, a landmark instrument in 20th century pop music.

A fascinating selection of Sex Pistols fandom assembled by one Eileen Walsh, who the provenance suggests was a sixteen years old Belfast teen when she began.

Original handbill/ticket order form (in typical period Bill Graham style) with informational flyer for attendees of the Goose Lake International Music Festival, a three-day event held in Leoni Township, outside Jackson, Michigan from August 7-9, 1970, with an estimated 200,000 attendees.

Collection of early setlists from seminal band Hüsker Dü for shows in their hometown of Minneapolis, all predating the release of their debut album LAND SPEED RECORD, and all but one predating its recording.

From the publisher: "Destroy All Monsters Magazine was edited by Cary Loren and contained artwork, photographs, and flyers from bandmates Mike Kelley, Cary Loren, Niagara, and Jim Shaw.

Founded by Colin Faver and Kevin Millins, Final Solution was arguably the most important promoter in the UK during the postpunk years.

"SUPPORT SUBURBAN ROCK AND ROLL!" The Dolls were presumably on tour to promote their recently released second album TOO MUCH TOO SOON, while Kiss's self-titled debut album had been released only several months prior. An early record of KISS's career and their meteoric rise to fame, alongside the Dolls who were one of their major precursors in glam rock.

Early issue (January 18th, 1980) under the tenure of Naylor and Carroll of this hugely influential Manchester-centric post-punk zine.

Flyer promoting a concert at the Motor City Roller Rink on Nine Mile Road in Detroit, where Pop was performing in support of his new album SOLDIER.

Handbill program advertising the grand opening of CBGB's Second Avenue Theater, Hilly Krystal's short-lived attempt at running a second, larger concert venue in what was once the Anderson Theater.