Guidebook for creating film ads for display in movie theaters, released by Alexander Film Co., then the largest producer and distributor of these ads.

First issue of this film periodical, featuring extensive coverage of I AM CURIOUS: YELLOW, the controvercial film that had its screening ban lifted by the US Supreme court just previous the this issue's publication. The magazine's production is highly visual, with many full-page photographs.

Inscribed copy of poems by Bruestle: actor, educator, playwright and poet. Copy previously belonging to actors Helen Craig and John Beal, whose bookplate requests return via the Actors' Equity Association, and personally inscribed to them by Bruestle; all three actors appeared on THE WALTONS in the 1970s.

Poster advertising the Harkness Ballet, a company founded by Standard Oil heiress Rebekah Harkness in 1964.

Interesting newspaper promoting a play by this this puppet theatre company in the city of Hradec Králové.

A carefully assembled and impressively detailed set of photos and bios of contemporary American and British actors, singers, and athletes, about 42 of whom are men, and 23 women.

The personal photo album and scrapbook of one George King, a Pasadena-based actor whose most consistent gig at the time was impersonating Mr.

An illustrated catalog of second-run 16mm sound films available for rent by the Clem Williams Film Company of Pittsburgh, for market to non-theatrical customers: colleges, universities,museums, film societies, etc..

Vinyl recording of a radio spot advertisement for HIS MAJESTY O'KEEFE, the 1954 adventure film starring Burt Lancaster in the south pacific.

A souvenir program in exceptional condition for Paramount's technicolor epic, FOR WHOM THE BELL TOLLS, based on Ernest Hemingway's novel of the Spanish Civil War.

Collects seventeen plays by the American author and screenwriter.

Program booklet for Havel's first play, performed for the first time at the opening of the 1963-64 season at the Balustrade Theater (Divadlo na zabradli).

John Houseman, a frequent collaborator of Orson Welles, tells the story (with his colleague Landau) of Stratford, Connecticut's Shakespeare Theatre, which the authors helped found; the theatre was modeled on London's Globe Theatre with a mission of popularizing Shakespeare in America.