"The stand of yews, statues are noseless lichen smirched ghosts; the nomads approach, drums of their marches on stone lane steps; the sound of the engines remembered through plate glass while sitting at at pâté de foie" (157).

Arguably Baldessari's most desirable artist's book, and one of the best of the 1970s.

Uncommon catalog from Barney's 2003 Oslo exhibition of his complete Cremaster Cycle.

The first American edition of the first book by this English cartoonist, known for darkly surreal and humorous drawings.

Assemblage anthology (a la Kostelanetz's contributors' journal ASSEMBLING) in the Fluxus/mail art traditions: "The intent of this book is to call attention to activities in the area of notebooks, community art and correspondence art and to encourage other people to launch projects of their own."

Handmade and modified artist's book, opening to reveal two diorama-like three-dimensional scuptural scenes, using the book's original leaves for background and base for dense and intricate layers of collaged imagery.

Black and white papier déchiré (torn paper) frontispiece by Hans Arp [Jean Arp].

Correct first edition of this pamphlet published by Mary Beach.

Deluxe edition of Cage's Charles Eliot Northern Lectures, delivered at Harvard between 1988-1989.

As the title suggests, this artists' book contains 100 black-and-white photographs that are not of horses (in fact, they are all of chickens.)

Artists' book composed of an alphabetical list verbs, from abaisser to zyeuter. From an edition of 500.

Sketchbook album from the early 1940s, documenting a young boy's self-guided attempts to develop facility in cartooning.

"CHANGES can be considered the earliest of [Something Else] Press' integral 'artist' books,' where the design is more related to the artist's style and method of composition than to book tradition.