LE BESTIAIRE, OU CORTEGE D'ORPHEE
Beautiful facsimile edition of Apollinaire's original 1911 suite of poems produced by the Met, set off by the accompanying woodblock prints that were to be Dufy's first published illustrations.
Beautiful facsimile edition of Apollinaire's original 1911 suite of poems produced by the Met, set off by the accompanying woodblock prints that were to be Dufy's first published illustrations.
Collected writings by the great Dadaist painter and sculptor, with two original woodcuts.
First US edition of this first volume to publish a large selection of Redon's later works in color, prefaced by his own "Confessions of an Artist," with commentary by curator and Redon specialist Bacou.
First edition of this extensively illustrated monograph, including an introduction by Philip Glass and an interview with the artist by Timothy Greenfield-Sanders and Jerry Spagnoli.
Uncommon edition of these collected autobiographical fragments from Delacroix's journals, with Baudelaire's 1863 essay on the painter's greatness, both in German translation.
Catalogue of an exhibition on the design and function of that perfect article, the Pencil.
First English translation of the original version of Gauguin's diary, discovered many years after its publication in the altered form produced by Gauguin's collaborator Charles Morice. Heavily illustrated.
First US edition of this compact illustrated guide to the aesthetic and socio-political principles of Futurism, the furious "product of an ethics of experimentation, a savage affirmation of freedom against the institutions and models of the past."
First US edition of these 405 drawings, selected from the thousands produced by Picasso in the two-year period represented.
Facsimile edition of Rouault's Miserere and Guerre prints, produced under the artist's personal supervision and including his own preface in English translation, with an introduction by Monroe Wheeler.
First English-language edition of this invaluable study of Ernst's collage work.
First English-language edition of Witkin's presentation of his own work in dialogue with his influences.