Signed limited Franklin Library edition of Baldwin's first novel, his semi-autobiographical "extended rite of exorcism" (Harris).

First trade paperback edition, number 95 in the Universal Library series.

First US edition containing two additional poems not in the 1983 British first edition.

First UK edition of Baldwin's second play, dedicated to the memory of Medgar Evers and partially based on the 1955 murder of Emmett Till.

Warmly inscribed first edition of Baldwin's last and longest novel, an attempt to "face [his] own legends," built around the story of a Black musician's life told by his brother.

Rare uncorrected galleys of the first edition, made up from sheets from the limited edition (and with an unsigned limitation page), of Baldwin's great novel centered around a Harlem love story.

Signed limited first edition of Baldwin's last and longest novel, an attempt to "face [his] own legends," built around the story of a Black musician's life told by his brother.

First UK edition of Baldwin's great novel centered around a Harlem love story.

Program for the Broadway premiere of James Baldwin's THE AMEN CORNER at the Ethel Barrymore Theatre, following a Los Angeles production at the Robertson Playhouse the previous year — including two promotional tickets to the play.

First edition of this essay on the Atlanta Child Murders, which a contemporary review at the time called "nothing less than an update on the progress—or lack of it—of the American Dream."

Includes Baldwin's "Sweet Lorraine," a memoir of Lorraine Hansberry.

Includes Baldwin's prose portrait of good friend and "beautiful cat" Marlon Brando, part of the magazine's "Double Exposure" feature.

Includes a "Dialog in Black and White" between Baldwin and Budd Schulberg on progress and frustrations in the civil rights movement.