First edition of this book of criticism by the acclaimed poet and novelist — from the library of groundbreaking Black feminist Barbara Smith.
Very good plus in very good plus jacket.
Price: $75.00
Barbara Smith's life and career as a Black lesbian feminist activist has had an immense impact upon multiple fields. She was the author, co-author, or editor of many of the founding documents of Black feminism, from the epochal 1977 Combahee River Collective Statement (a work credited with largely establishing the intersectional theory Davis applies here); to TOWARD A BLACK FEMINIST CRITICISM (1977), "the earliest theoretical statement on black feminist criticism" (McDowell); to HOME GIRLS: A BLACK FEMINIST ANTHOLOGY (1983), issued by her Kitchen Table: Women of Color Press (co-founded with Beverly Smith, Cherríe Moraga, and Audre Lorde, and which also republished THIS BRIDGE CALLED MY BACK). Smith's papers were recently placed at the Arthur and Elizabeth Schlesinger Library on the History of Women in America at Harvard Radcliffe Institute; the Schlesinger not acquiring duplicate titles, this book comes from Smith's remaining library. In this book Major looks at the work of June Jordan, Ishmael Reed, Richard Wright, James Baldwin, John A. Williams, and more. It would have been an especially apt inclusion for Smith's library, as she regularly taught Black literature courses that included a number of the same authors.
New York: The Third Press, (1974). 8'' x 5.25''. Original rust orange cloth, gilt-stamped spine. In original unclipped ($6.95) orange dust jacket with design by Bennie Arrington. 153, [1] pages. From the library of Barbara Smith, with her ink owner name to front fly leaf. Jacket with mild rubbing, sliver of foxing to flap edges, minute edgewear. Boards rather bowed, with touches of foxing to edges.
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