First edition of this indie poetry collection by a co-founder of the feminist lesbian press, Women's Press Collective — from the library of groundbreaking Black feminist Barbara Smith.
Very good.
Price: $50.00
Barbara Smith's life and career as a Black lesbian feminist activist has had an immense impact upon multiple fields. She was the author, co-author, or editor of many of the founding documents of Black feminism, from the epochal 1977 Combahee River Collective Statement (a work credited with largely establishing the intersectional theory Davis applies here); to TOWARD A BLACK FEMINIST CRITICISM (1977), "the earliest theoretical statement on black feminist criticism" (McDowell); to HOME GIRLS: A BLACK FEMINIST ANTHOLOGY (1983), issued by her Kitchen Table: Women of Color Press (co-founded with Beverly Smith, Cherríe Moraga, and Audre Lorde, and which also republished THIS BRIDGE CALLED MY BACK). Smith's papers were recently placed at the Arthur and Elizabeth Schlesinger Library on the History of Women in America at Harvard Radcliffe Institute; the Schlesinger not acquiring duplicate titles, this book comes directly from Smith's remaining library. The Women's Press Collective, of which Grahn was a co-founder, was "the earliest lesbian-feminist publishing collective" (Enszer), which was established in part to publish Grahn's poetry. It was a major precursor to Smith's own Kitchen Table.
Read more: Enszer, "Amazing Connection and Blazing": The 1970s and 1980s Lesbian-Feminist Editorial Practices of Out & Out Books, Diana Press, and Aunt Lute Press," Post45, Issue 9.
Trumansburg, New York: The Crossing Press, (1982). 8.5'' x 5.5''. Original color pictorial wrappers. 112 pages. From the library of Barbara Smith, with address label to first leaf. Some soil to rear wrapper, light edgewear.
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