HE:/SHE:
Uncommon first edition of this artist's book by the American "paraphotographer," a series of visual and verbal dialogues between men and women inspired by two lines from Mishima.
Uncommon first edition of this artist's book by the American "paraphotographer," a series of visual and verbal dialogues between men and women inspired by two lines from Mishima.
Scarce portfolio of over 20 numbered black and white plates of female nude studies of the painter Adélaïde Verneuil de Marval — the photographer's wife, photomodel, and collaborator.
Set of 38 monthly lesson plans for school art teachers, each containing a new column ("Intimate Comments in the Field of Art") with an overview of new publications and exhibitions, followed by an illustrated project for schoolchildren with target grade levels, working materials, educational goals, and detailed instructions.
First English language edition of this catalogue raisonné, with text in both French and English.
Circle of fifths with relative minor chords and bar of music drawn in black marker.
Rare portfolio documenting Hsieh's third extended performance piece, a full year in New York City spent outside shelter of any kind (save for 15 hours inside a police station courtesy of the NYPD), issued in conjunction with an installation at Franklin Furnace.
A small archive of materials relating to John Cage's May 27, 1968 performance of his musical-chess work "REUNION" staged at New York's Electric Circus nightclub.
Original watercolor study, possibly for a potential mural, from noted social realist, WPA painter, and muralist Edward Laning (1906-1981).
Collection of twelve signed works of art from this Seattle punk poet, performer, musician, and artist, who counted among his fans Kurt Cobain.
First edition of this classic study of Maori tattooing, profusely illustrated with photographs and Robley's own drawings.
Scarce hardcover first edition of this book presenting comments left by visitors at Dia:Beacon Museum.
First edition of this catalogue for the first ever retrospective of the important postwar experimental artist's work‚ in excellent condition.
Set of four (of six) "art cash" bills created for the "Art Cash Benefit for Television Programming," held by Experiments in Art and Technology (E.A.T.) in December 1971 at Automation House in New York — including the Andy Warhol "one."
First edition of this book of vivid panoramic fold-out photographs showcasing the street art of three major cities.
First edition of this collection of vintage Polaroids taken by Bianchi in his Village apartment of lovers, sexual partners, and the surrounding neighborhood.
Original program for the second and third performances of Wilson's "silent opera," based in part on the visual ideas of Raymond Andrews, performed by the Byrd Hoffman School of Byrds at the Brooklyn Academy of Music in 1971.
Uncorrected proof of this posthumously published collection of monologues, written in the voices of the fellow travelers, runaways, and working people Wojnarowicz encountered across the United States during the late '70s and '80s.
First edition of this comprehensive monograph showcasing the work of radical interdisciplinary artist Carolee Schneemann, one of the original "performance artists."
Scarce first printing of the catalogue for this major neo-Dada exhibition — designed by Jim Culberson, introduced by Harold Rosenberg, and organized by a committee including Donald Barthelme.
Scarce original catalogue documenting the artist's year-long project in which he legally changed his name twelve times, creating a major new artwork for each persona, starting in September 1970.
Rare catalogue of the third Havana Biennial, a rich and energetic exhibition with a global reach, curated by the staff of the Centro Wifredo Lam under Cuba's Ministry of Culture, opening a week before the fall of the Berlin Wall.
Extensive collection of printed material from Virginia Dwan's legendary gallery, central site of Minimalism, Conceptualism, and Land Art movements of the 1960s.
Illustrated exhibition catalogue for the Swedish artist and director's solo show at Galerie Bonnier in Geneva, with original price list laid in.
First edition of this overview and tribute to the artist's life and work, with contributions from Karen Finley, Elizabeth Hess, Vince Aletti, Kiki Smith, and a 1990 interview by Nan Goldin.
First edition of these posthumously published monologues, written in the voices of the fellow travelers, runaways, and working people Wojnarowicz encountered across the United States during the late '70s and '80s.