MARIA
Scarce first edition, privately printed by Cornell in an edition of about 100 copies and given away to his friends as presents, augmented with a collaged element to the last page.
Scarce first edition, privately printed by Cornell in an edition of about 100 copies and given away to his friends as presents, augmented with a collaged element to the last page.
Collection of original art and collage from New York underground artist Kasoundra Kasoundra.
Signed first edition, second issue of this quintessentially Los Angeles book, and one of the great photobooks of all time – with the original wrap-around band intact.
Singularly striking work of folk art executed as a travel album that documents an extensive tour through the Vysoke Tatry mountain range in Slovakia, featuring hand-painted illuminated backgrounds and borders.
An extraordinary and unique handmade artist's book, elaborately assembled by an anonymous artist.
Signed first and only edition of Ruscha and Bengston's collaborative book.
First edition of arguably Baldessari's most desirable artist's book, and one of the best of the 1970s.
First edition of Ruscha's eleventh book, featuring one bespoke baby (his own) and many mass-produced commercial cakes.
Signed first edition of Ruscha's last solo photobook to use the minimal 'house style' made famous by TWENTYSIX GASOLINE STATIONS and other early works.
Signed first edition of these black and white photographs of 30 selected records and album covers from Ruscha's collection, photographed by his friend and fellow artist Jerry McMillan.
Signed second edition of Ruscha's second artist's book, an enigmatic series of controlled burns in the human landscape.
Enigmatic and disquieting collection of six short stories and one 90-page novella, neatly and distinctively handwritten and illustrated in brown ink.
Signed second edition of Ruscha's third artist's book, one of 3,000 copies produced following the original printing of 700 in 1965.
Third edition of the first of Ruscha's sixteen books and an iconic early artist's book.
Signed first edition of Ruscha and Weiner's photo-novel, starring Shelley Chamberlain, Suzanne Chandler, and Susan Haller in a captivatingly oblique visual drama.
Signed limited first edition of 'This Thing,' a dialogue between Pinget's text and Deyrolle's images.
Signed first edition of Ruscha's fourteen spare, black and white photographs of California palms, each captioned with its home address.
Signed second edition of Ruscha's commissioned photographs of Los Angeles lots, taken from helicopter by aerial photographer Art Alanis.
Signed first edition of Ruscha's photo-novel, illustrating a 1967 short story by Mason Williams, "How To Derive The Maximum Enjoyment From Crackers."
Scarce publication by these three Canadian artists.
Signed second edition of Ruscha's first book using color photographs, a series on water artificially contained and explosively freed.
Uncommon artists's book by Heliczer, who was one of the geniuses of the Mimeo Revolution, and whose Dead Language Press produced some of the most beautiful objects of the movement.
The first annual report of the first permanent collection of modern art in the U.S.
Deluxe edition of Cage's Charles Eliot Northern Lectures, delivered at Harvard between 1988-1989.
Alternatively titled "THE HOPEFUL MONSTER: A Subjective Report About Art-Robots," an unusual academic report of the machine-aided artistic techniques of P.K. Hoenich, professor of art at Technion-Israel Institute of Technology.